Sans Faceted Tije 2 is a regular weight, normal width, monoline, upright, normal x-height font.
Keywords: display, headlines, logos, branding, ui titles, techno, futuristic, industrial, digital, sporty, geometric styling, tech aesthetic, display impact, systematic construction, modern branding, octagonal, chamfered, rounded corners, stencil-like, modular.
A geometric, monoline sans built from straight runs and consistent chamfered corners, giving most curves a faceted, octagonal feel. Terminals are softly rounded and strokes keep an even thickness, producing a clean, engineered rhythm. Counters tend toward squarish forms (notably in O/0/8), while diagonals in letters like K, V, W, X, and Y stay crisp and controlled. The lowercase is compact and simplified, with single-storey a and g, and a clean, minimalist i/j with round dots; figures follow the same faceted construction for a cohesive alphanumeric texture.
Best suited for short to medium-length display settings where the faceted geometry can read as a deliberate style choice—headlines, logos, esports and motorsport branding, packaging accents, posters, and UI/UX titles or labels. It can also work for large-format signage or product naming where a technical, futuristic impression is desired.
The overall tone reads modern and technical—suggesting interfaces, hardware markings, and sci‑fi or racing aesthetics. Its planar cuts and consistent geometry feel purposeful and precise, leaning more toward a constructed, machine-made voice than a humanist one.
The font appears designed to translate rounded sans forms into a modular, faceted system, prioritizing consistency and a distinctive geometric signature. Its goal seems to be a contemporary tech-forward look that remains legible while emphasizing engineered corners and streamlined construction.
The design language stays highly consistent across caps, lowercase, and numerals, with chamfers doing most of the work where other fonts would use curves. Some forms carry a subtle stencil-like impression due to the repeated corner breaks and the open, segmented feel in letters like S and numerals such as 2 and 3.