Script Ebmis 10 is a regular weight, narrow, very high contrast, italic, short x-height font.
Keywords: wedding, invitations, branding, packaging, headlines, elegant, formal, romantic, vintage, luxurious, calligraphic elegance, decorative capitals, formal display, romantic tone, calligraphic, flourished, swashy, slanted, refined.
This script face shows a consistent rightward slant with a calligraphic, pen-driven construction. Strokes alternate between hairline-thin entry/exit strokes and broader main strokes, creating crisp contrast and a lively rhythm. Uppercase forms are ornate and looped with pronounced swashes and occasional internal counters that feel engraved or copperplate-inspired, while lowercase letters are more compact with rounded joins, narrow set width, and modest, controlled ascenders/descenders. Terminals often finish in tapered hooks or teardrop-like flicks, and numerals follow the same slanted, contrasty logic for a cohesive texture in mixed copy.
Best suited to display settings such as wedding suites, event announcements, cosmetic or boutique branding, premium packaging, and short editorial headlines. It can also work for certificates or monograms where decorative capitals and a formal script voice are desirable, and is less ideal for dense, small-size body text.
The overall tone is polished and ceremonial, suggesting invitations, fine stationery, and classic romance. Its sweeping capitals and delicate hairlines communicate luxury and tradition, while the steady cursive motion keeps it personable rather than rigid.
The design appears intended to evoke formal handwritten calligraphy with a refined, high-contrast pen aesthetic, prioritizing graceful movement and decorative uppercase presence for elegant display typography.
At larger sizes the hairline details and uppercase flourishes read cleanly and add character, while at smaller sizes the fine connectors and tight spacing may require careful setting and a bit of extra tracking. Capitals are especially attention-grabbing and can dominate a line, making case mixing and initial-cap usage an important part of typographic balance.