Sans Other Orba 2 is a very bold, very wide, monoline, upright, tall x-height font visually similar to 'Imagine Font' by Jens Isensee and 'KONSTRUCT' by Komet & Flicker (names referenced only for comparison).
Keywords: headlines, posters, logotypes, game ui, tech branding, techno, arcade, sci‑fi, industrial, futuristic, display impact, digital aesthetic, grid construction, retro-future, geometric, square, angular, modular, stencil-like.
A blocky, modular sans built from squared-off strokes and hard right-angle turns. Corners are consistently sharp, counters are mostly rectangular, and curves are largely avoided or replaced with stepped diagonals, giving letters a pixel-architected feel. The strokes maintain an even thickness, with frequent notches and cut-ins that create a segmented, almost stencil-like construction. Uppercase and lowercase share a strongly constructed geometry, and the overall rhythm is compact and mechanical, with distinctive, angular diagonals on forms like V, W, Y, and Z.
Best suited for high-impact display typography such as headlines, posters, game/interface graphics, and bold branding where a techno or sci‑fi voice is desired. It performs especially well in short words, titles, and marks where its squared counters and notched joins can be appreciated without crowding.
The tone reads digital and engineered, evoking arcade UI, sci‑fi interfaces, and industrial labeling. Its rigid geometry and squared counters project a tough, synthetic personality that feels more machine-made than handwritten, with a deliberate retro-future edge.
The letterforms appear intentionally engineered around a grid-like logic to deliver a crisp, futuristic sans with strong presence and a distinctive modular texture. The added notches and segmented joins suggest a goal of creating a recognizable, tech-forward silhouette rather than a neutral text workhorse.
The design’s internal cutouts and stepped joins add character but also increase visual noise at smaller sizes, where the notches and tight apertures can begin to merge. In display settings, those same details become a defining texture, reinforcing the font’s modular, constructed identity.