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Free for Commercial Use

Sans Other Ohmo 9 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Neogliph' by Letterhend, 'Exabyte' by Pepper Type, and 'Block' by Stefan Stoychev (names referenced only for comparison).

Keywords: headlines, posters, logos, game ui, packaging, techno, industrial, arcade, futuristic, brutalist, digital feel, impact, thematic display, constructed geometry, square, angular, blocky, stencil-like, geometric.


Free for commercial use
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A heavy, modular sans built from square and rectangular strokes with crisp 90° corners and occasional diagonal cuts. Curves are largely replaced by chamfered or stepped forms, producing boxy counters (notably in O, D, and 0) and a pixel-like silhouette. Terminals are blunt and uniform, with a consistent stroke rhythm that reads like constructed signage; some joins and notches create a subtly stencil-like, engineered feel. Spacing appears generous and the overall texture is emphatically graphic, favoring bold shapes and simplified interior apertures for maximum impact.

Best suited for short, high-impact settings such as headlines, posters, game interfaces, and tech-themed branding where the geometric silhouette can do the work. It also fits labels, packaging, and display titling that benefit from a compact, industrial voice; for long passages, its dense block forms are more effective when given ample size and spacing.

The font conveys a retro-digital, machine-made tone—part arcade display, part industrial labeling. Its squared geometry and hard edges feel technical and utilitarian, while the stepped diagonals add a sci‑fi flavor. Overall, it projects confidence and intensity rather than softness or elegance.

The design appears intended to evoke a constructed, digital-era sans: bold, legible at display sizes, and strongly themed through rectilinear geometry and chamfered diagonals. The goal seems to be a distinctive, system-like aesthetic that feels engineered and iconic rather than neutral.

Distinctive box counters and asymmetric cut-ins in several letters (e.g., angled strokes and small notches) add character without breaking the strict grid logic. Numerals follow the same rectilinear construction, keeping the set cohesive for UI-like readouts and headline numerics.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸