Print Ohrot 5 is a very bold, normal width, medium contrast, italic, short x-height font.
Keywords: posters, headlines, packaging, kids branding, signage, playful, retro, friendly, bold, lively, hand-drawn feel, display impact, casual warmth, retro flavor, rounded, brushy, soft terminals, bouncy, casual.
A heavy, right-leaning handwritten print with rounded forms and a brush-like stroke that swells and tapers gently. Counters are compact and often teardrop-shaped, with smooth, softened corners and frequent entry/exit flicks that create a lively baseline rhythm. The capitals are prominent and curvy, while the lowercase stays compact with short ascenders/descenders and a notably small x-height feel, producing a punchy, headline-forward texture. Numerals echo the same inflated, rounded construction with slightly quirky proportions that enhance the informal tone.
This font is best suited to short, high-impact text such as posters, brand marks, product packaging, menu headers, and casual signage where its bold, brushy personality can read at a glance. It also works well for playful editorial callouts and social graphics, especially when set with generous leading. For long body copy or small sizes, its compact counters and dense texture may reduce readability.
The overall tone is upbeat and personable, like bold marker lettering used for signage or cheerful packaging. Its bounce and soft, blobby curves give it a nostalgic, mid-century casual feel while staying approachable and fun. The strong slant and rounded terminals add energy without becoming messy or aggressive.
The design appears intended to mimic confident, fast marker or brush lettering in an unconnected print style, prioritizing warmth and visual punch over strict regularity. Its exaggerated weight, soft terminals, and energetic slant suggest a goal of delivering friendly, retro-leaning emphasis for display typography.
Spacing appears intentionally irregular in a hand-drawn way, helping words feel animated but also making long passages look dense. The strongest visual identity comes from the consistent rightward slant, the soft wedge-like joins, and the rounded, droplet-like endings across both letters and figures.