Print Tynif 1 is a regular weight, normal width, medium contrast, upright, normal x-height font.
Keywords: packaging, posters, headlines, social posts, branding, playful, friendly, casual, handmade, approachable, handmade warmth, casual readability, playful tone, human voice, rounded, monoline, brushy, bouncy, soft.
A rounded, hand-drawn print face with largely monoline strokes and gently modulated terminals that read like a marker or brush pen. Letterforms favor soft corners and simplified geometry, with slightly uneven stroke edges and small variations in width that create a natural, handwritten rhythm. Counters are open and generous, and curves dominate over sharp angles, helping the alphabet feel loose and informal while remaining clearly legible in text. Numerals and capitals share the same relaxed construction, with occasional quirky details (like curved crossbars and asymmetric joins) that reinforce the handmade look.
Well suited to short-to-medium text in friendly contexts such as packaging, café menus, greeting cards, children’s materials, social media graphics, and casual branding. It also works for display copy in posters and headers where a warm, handcrafted tone is desired, and remains readable in paragraph samples at moderate sizes.
The overall tone is cheerful and conversational, suggesting a personal, human voice rather than a formal typographic one. Its bouncy proportions and rounded shapes give it a lighthearted character that feels kid-friendly and welcoming without becoming overly chaotic.
The design appears intended to capture the immediacy of hand lettering in a consistent, reusable typeface—prioritizing warmth, clarity, and an informal personality. Its rounded forms and gentle irregularity aim to add human charm to everyday communication and upbeat branding.
The texture is intentionally imperfect: spacing and letter widths vary subtly, and stroke endings often taper or round off, producing a lively, organic color on the line. The design stays unconnected and print-like, but retains enough gesture in its strokes to feel written rather than constructed.