Sans Normal Aflov 3 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Macho Moustache' and 'Sole Sans' by CAST, 'Alergia Grotesk' by Machalski, 'Hamburg Serial' by SoftMaker, 'Kommon Grotesk' by TypeK, 'TS Hamburg' by TypeShop Collection, and 'Adelle Sans' by TypeTogether (names referenced only for comparison).
Keywords: ui text, branding, signage, headlines, captions, clean, modern, dynamic, friendly, efficient, legibility, modernity, emphasis, clarity, versatility, oblique, rounded, soft corners, open counters, generous spacing.
This typeface is an oblique sans with low-contrast strokes and smoothly rounded curves. Letterforms are built from clear geometric structures with subtly softened terminals, producing a clean, contemporary rhythm. Counters are open and legible, and the overall spacing feels airy, helping the slanted forms avoid visual congestion. Numerals and capitals maintain straightforward proportions, while lowercase shapes stay compact and consistent, supporting a steady text color in continuous reading.
It works well for interface typography, dashboards, and product UI where a clean sans with an energetic slant can add motion without sacrificing clarity. The open shapes and even color also suit short paragraphs, captions, and editorial callouts. In branding and signage, the oblique stance can communicate speed or modernity while remaining readable at a range of sizes.
The slanted stance gives the font an energetic, forward-moving tone while the rounded construction keeps it approachable. It reads as contemporary and utilitarian rather than decorative, balancing efficiency with a mild friendliness. The overall impression is crisp and modern without feeling rigid.
The design appears intended to deliver a modern, highly legible oblique sans for everyday communication. Its rounded geometry and restrained detailing suggest a focus on clarity and consistency, with the italic angle providing emphasis and momentum for contemporary layouts.
The italics are formed as true oblique drawings rather than simply leaning upright shapes, with consistent diagonal stress across the set. Round letters (such as O/C/G) appear smooth and even, and diagonals (like V/W/X) are sturdy and clean, reinforcing a cohesive, no-nonsense texture in both display and paragraph settings.