Sans Superellipse Ugliy 3 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Judgement' by Device and 'Neogliph' by Letterhend (names referenced only for comparison).
Keywords: sports branding, racing graphics, posters, headlines, logos, sporty, futuristic, aggressive, energetic, technical, speed emphasis, impact display, modern utility, brand punch, oblique, rounded, squared, compact, slanted terminals.
A very heavy, oblique sans with a squared–rounded (superellipse-like) construction and consistently softened corners. Strokes are monolinear and dense, with wide counters kept open through rounded-rectangle apertures. Many forms lean forward with a streamlined, slightly compressed feel, and several joins and terminals are cut on a slant, adding speed to the silhouette. Uppercase shapes are blocky and robust, while lowercase keeps a sturdy, utilitarian build with single-storey a and g, a straight-stemmed t, and compact, squared bowls that echo the caps. Numerals follow the same rounded-rect geometry, emphasizing stability and impact.
This face is well suited to sports identities, racing or motorsport-style graphics, gym/fitness branding, and bold promotional headlines where immediacy matters. It also fits logos and short wordmarks that benefit from a strong, forward-driving stance and compact, high-impact forms.
The font projects motion and strength—like a performance-oriented display face built for punchy, high-contrast messaging. Its forward slant and aerodynamic cuts suggest speed, competition, and modern machinery, while the rounded corners keep it approachable rather than harsh.
The design appears intended to combine maximum weight with a sleek, speed-driven silhouette, using rounded-rect construction and oblique stress to evoke contemporary performance and technology. Its simplified, low-contrast strokes favor clarity and punch over delicacy, targeting attention-first display typography.
Letterforms show a consistent rectangular curvature across bowls and counters, giving the design a cohesive, engineered rhythm. The italic angle is pronounced enough to read as purposeful and dynamic, making the texture feel fast and assertive at headline sizes.