Print Aglem 3 is a regular weight, narrow, low contrast, italic, short x-height font.
Keywords: posters, packaging, headlines, social media, children’s content, casual, playful, friendly, handmade, lively, human warmth, casual clarity, playful tone, handmade texture, brushy, rounded, bouncy, expressive, informal.
This font has an informal, handwritten print look with slightly slanted, brush-like strokes and rounded terminals. The letterforms are compact and somewhat tall, with a noticeably short x-height and variable widths that create an uneven, natural rhythm. Strokes stay relatively even in thickness, but show subtle tapering and soft edge behavior that suggests a marker or brush pen. Curves are open and generous, counters are simple, and spacing is loosely consistent while still preserving a hand-drawn irregularity across the set.
It works best for short to medium text where personality is the goal: posters, product packaging, café menus, greeting cards, social graphics, and playful branding. It can also suit children’s or hobby-focused projects, especially when paired with a neutral sans for supporting copy. For extended reading, the lively rhythm may be better reserved for headings, pull quotes, or captions.
The overall tone is warm, approachable, and lightly whimsical. Its bouncy rhythm and relaxed construction give it a conversational feel, like quick lettering on a note or label. The slant and brushy texture add energy without becoming aggressive or overly dramatic.
The design appears intended to capture quick, confident hand lettering with a friendly, contemporary feel. By combining a consistent stroke weight with varied character widths and a slight slant, it aims to look natural and human while remaining legible and versatile for display use.
Uppercase forms read cleanly and upright-leaning, while lowercase maintains a simple printed structure rather than cursive connections. Numerals follow the same handwritten logic with rounded shapes and a casual baseline, helping mixed text feel cohesive. The texture is bold enough to hold up in short lines, while the irregularity becomes more prominent in longer passages.