Inline Fipi 8 is a light, very wide, low contrast, upright, normal x-height font.
Keywords: headlines, logos, posters, titles, packaging, sci‑fi, tech, futuristic, retro, architectural, tech branding, sci‑fi titling, digital signage, retro futurism, monoline, outlined, inline, angular, geometric.
A geometric display face built from thin, squared forms with an outline-and-inline construction: most strokes appear as doubled parallel lines, creating a hollowed, technical feel. Corners are predominantly right-angled with occasional clipped or chamfered joints, and curves are minimized in favor of straight segments and boxy counters (notably in O/Q and rounded lowercase). Terminals are clean and mechanical, with frequent open apertures and segmented horizontals that emphasize a modular, plotted rhythm. Numerals and capitals maintain a consistent grid-like structure, while lowercase echoes the same construction with simplified, single-storey forms and a compact, engineered footprint.
Best suited to short display settings where the inline/outlined construction can be appreciated—headlines, title cards, posters, and brand marks with a tech or sci‑fi orientation. It can also work for packaging or event graphics where a crisp, engineered aesthetic is desired, while longer text is likely to feel dense due to the internal linework.
The tone reads as futuristic and systematized, with a schematic, instrument-panel character that suggests precision and circuitry. Its linear double-stroke aesthetic also nods to late-20th-century digital and arcade-era visuals, balancing retro-tech nostalgia with a clean, constructed modernity.
The design appears intended to deliver a futuristic, blueprint-like display voice by combining monoline geometry with an inset/inline treatment that mimics technical drawing or digital signage. Its modular construction and squared forms prioritize a distinctive, mechanical silhouette over traditional text readability.
Spacing and counters are generous enough to keep the inline detailing legible at display sizes, but the doubled strokes and small interior gaps make it visually busy as size decreases. Diagonals (e.g., N, V, W, Y, Z) retain the same parallel-line logic, reinforcing a consistent, fabricated look across the set.