Sans Superellipse Dyry 2 is a regular weight, very wide, medium contrast, upright, tall x-height font.
Keywords: ui labels, tech branding, headlines, signage, posters, futuristic, technical, clean, geometric, sci‑fi, modernization, systematic geometry, tech tone, display clarity, squared, rounded corners, modular, wide-set, streamlined.
A wide, geometric sans with rounded-rectangle (superellipse) construction throughout. Curves are handled as softened corners rather than circular bowls, producing square-ish counters in letters like O, D, and P and similarly squared numerals. Strokes are fairly uniform with crisp terminals, and many joins read as engineered and modular, with consistent corner radii and a steady horizontal emphasis. The lowercase shows a tall x-height and compact ascenders, while forms like a, e, g, and s rely on open apertures and squared inner spaces for clarity; diagonals in K, V, W, X, and Z stay sharp and linear against the otherwise softened geometry.
Best suited to display-forward settings where its wide proportions and squared-rounded geometry can be appreciated: interface headings and labels, product and tech branding, wayfinding or environmental signage, and bold editorial or poster headlines. In longer text, it works most comfortably at larger sizes where the distinctive cornered curves and open counters remain clear.
The overall tone feels modern and instrument-like—cool, controlled, and slightly futuristic. Its rounded-square anatomy and wide stance suggest technology, interfaces, and contemporary industrial design rather than warmth or calligraphic personality.
The design appears intended to deliver a contemporary, engineered voice built from consistent rounded-rectangle primitives—prioritizing a sleek, technological feel with high visual coherence across letters and numerals.
The rhythm is distinctly horizontal, with generous widths and ample internal space that keep counters legible even as the shapes become more rectilinear. The 0 and O are closely related in construction, and several glyphs (notably S, 2, and 3) adopt flattened curves that reinforce the font’s superelliptic theme.