Shadow Waba 11 is a light, wide, medium contrast, upright, normal x-height font.
Keywords: posters, headlines, logos, packaging, album art, edgy, industrial, noir, rebellious, glitchy, texture, layering, impact, attitude, display, stenciled, cutout, notched, angular, fragmented.
A display sans built from crisp, geometric strokes that are repeatedly interrupted by carved cutouts and stepped notches. Many glyphs combine solid stems with offset interior voids that read like a shadowed layer or a mechanical knockout, creating a distinctive broken rhythm across counters and joins. The drawing is mostly monolinear with sharp terminals, occasional wedge-like diagonals, and a generally rectangular footprint; rounded letters keep a circular skeleton but are visibly segmented. Spacing and sidebearings feel assertive, and the internal cutaways add a secondary texture that stays consistent from caps through lowercase and numerals.
Best suited to short, high-impact settings such as posters, editorial headlines, event graphics, and logo wordmarks. It can also work well on packaging and album/cover art where the textured cutouts add attitude and motion. For longer reading, it performs better as a stylistic accent (pull quotes, section headers) rather than body text.
The cutout-and-shadow treatment gives the face a gritty, industrial mood with a slightly mischievous, underground energy. It evokes stamped signage, DIY posters, and late-night club or zine aesthetics, where disruption and texture are part of the voice rather than a flaw.
The design appears intended to merge a clean geometric base with a deliberate cutout/shadow motif, producing a layered, stencil-like texture without relying on outlines. The consistent internal interruptions suggest a focus on characterful display typography that stays cohesive across the full alphanumeric set.
In text, the repeated internal breaks create a strong pattern and can reduce legibility at smaller sizes, especially in dense paragraphs. The most effective impression comes from larger settings where the negative-space “shadow” details and notches can be clearly read.