Cursive Obkog 2 is a light, very narrow, low contrast, upright, very short x-height font.
Keywords: quotes, greeting cards, social posts, packaging, invites, airy, playful, casual, friendly, whimsical, handwritten charm, casual clarity, modern script, friendly branding, monoline, looping, bouncy, tall ascenders, long descenders.
A monoline handwritten script with a clean, pen-drawn look and gently rounded terminals. Letterforms are tall and slender with generous vertical reach, giving prominence to long ascenders and deep descenders, while the lowercase remains relatively small. Strokes stay smooth and even, with occasional looped entries and exits and slight irregularities that preserve a natural hand rhythm. Uppercase characters read as simplified, print-like forms that pair with more connected, cursive lowercase, producing a mixed but coherent texture in words and lines.
Well suited to short-to-medium display text where a friendly handwritten tone is desired, such as quotes, greetings, invitations, and social media graphics. It can also work for light branding accents on packaging or labels, especially when paired with a neutral sans for supporting copy. For best results, use at sizes where the small lowercase and fine monoline strokes remain clearly legible.
The overall tone is lighthearted and personable, like neat everyday handwriting. Its looping joins and narrow proportions create a breezy, informal voice that feels approachable rather than formal or technical. The style suggests spontaneity and charm without becoming overly decorative.
Designed to capture a neat, modern handwritten feel with simple, flowing connections and minimal ornament. The intent appears to balance readability with a casual cursive rhythm, emphasizing tall, graceful proportions and a consistent pen line for versatile, everyday display use.
Spacing appears relatively open for such narrow letterforms, helping keep words from feeling cramped, while the tall vertical proportions create an elegant, elongated silhouette. Numerals follow the same pen-drawn simplicity and integrate smoothly in mixed text. The italic-like flow comes more from joining strokes and loops than from a strong overall slant.