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Free for Commercial Use

Solid Jabi 3 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Allrounder Grotesk Compressed' by Identity Letters, 'Classic Grotesque' by Monotype, 'Bulltoad' by Typodermic, and 'Artico' by cretype (names referenced only for comparison).

Keywords: posters, headlines, logos, packaging, stickers, playful, chunky, retro, posterish, toy-like, impact, whimsy, branding, attention, simplification, rounded, bulbous, stencil-like, heavyweight, quirky.


Free for commercial use
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A chunky, rounded display face with dense silhouettes and frequent interior closures that turn many counters into solid shapes. Terminals and joins are softened and bulbous, while several letters show deliberate cut-ins and notches that suggest a stencil or punched construction. Curves dominate the overall geometry, but straight-sided stems remain thick and blocky, producing an uneven, characterful rhythm. Spacing and proportions lean toward a compact, packed texture in text, with simplified apertures that read best at larger sizes.

Best suited to large-scale display work where its solid, filled shapes and rounded mass can read as intentional style—posters, headlines, branding marks, packaging, and attention-grabbing labels. It can also work for short, playful UI banners or social graphics, but it is less appropriate for long passages or small text where the closed counters may hinder legibility.

The tone is bold and cartoonish, with a friendly, slightly mischievous energy. Its softened shapes and filled-in interiors give it a toy-like, pop-retro feel that prioritizes impact over refinement. The quirky cut-ins add an informal, handmade edge without becoming fully rough or distressed.

The design appears intended to deliver maximum visual weight and immediate recognition through simplified, mostly closed forms and rounded, friendly contours. The added notches and cut-ins introduce novelty and differentiation, making the face feel purpose-built for expressive branding and bold titling rather than neutral reading.

Uppercase forms feel especially massive and monolithic, while lowercase retains the same heavy construction, creating a consistently dark color on the line. Distinctive numerals and strong round forms (like O/0) reinforce a punchy, logo-ready personality, but the collapsed openings can reduce clarity in smaller settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸