Sans Other Ibvi 7 is a bold, normal width, medium contrast, upright, normal x-height font.
Keywords: game ui, poster titles, album art, tech branding, display signage, retro digital, arcade, techno, industrial, cryptic, digital look, retro feel, high impact, systematic geometry, sci‑fi styling, pixelated, modular, stencil-like, angular, blocky.
A modular, pixel-influenced sans built from rigid orthogonal strokes and right-angle turns. Curves are largely replaced by squared corners and stepped diagonals, creating a distinctly grid-based construction. Counters tend to be rectangular and sometimes partially open, with occasional notches and cut-ins that give several glyphs a stencil-like, segmented feel. Spacing and widths vary by character, producing a syncopated rhythm in text while maintaining consistent stroke thickness and sharp terminals.
Best suited for display settings where its pixel-grid construction can read clearly: game UI headings, arcade- or sci‑fi-themed posters, event titles, and techno/industrial branding. It can also work for short labels or wayfinding in stylized contexts, especially when set with generous tracking and ample size.
The overall tone reads as retro-digital and game-adjacent, evoking arcade screens, 8‑bit graphics, and utilitarian techno interfaces. Its crisp geometry and deliberate segmentation also suggest industrial labeling and coded or futuristic signage, lending the text a slightly cryptic, mechanized personality.
The design appears intended to translate pixel and grid logic into a sharp, contemporary display sans, prioritizing distinctive silhouettes and a digital texture over conventional readability. The segmented, notched shapes suggest an aim to feel engineered and screen-native, echoing retro computing while remaining clean and systematic.
In running text the stepped geometry creates a pronounced texture, especially where small apertures and corner cutouts accumulate across a line. The design’s squared punctuation and simplified forms keep the look cohesive, but the distinctive constructions can become visually busy at smaller sizes, where the notches and interior gaps merge into darker clusters.