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Free for Commercial Use

Calligraphic Irsu 6 is a regular weight, normal width, high contrast, upright, normal x-height font.

Keywords: headlines, posters, book covers, invitations, certificates, formal, historic, ornate, dramatic, literary, calligraphic flavor, heritage tone, display impact, ornamental capitals, dramatic texture, flared serifs, teardrop terminals, swashy, ink-trap feel, blackletter-adjacent.


Free for commercial use
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This typeface presents upright, calligraphic letterforms with pronounced thick–thin modulation and flared, wedge-like serifs. Strokes often swell into rounded lobes and finish in teardrop or hooked terminals, giving many letters a subtly sculpted, inked quality rather than a purely geometric build. Capitals are lively and slightly swashy, with curved entry strokes and asymmetric bowls that create a variable rhythm across the alphabet. Lowercase forms keep a compact, sturdy silhouette with minimal joining behavior, while punctuation and numerals echo the same flared, chiseled endings for a consistent texture in text.

Best suited for short to medium-length settings where its contrast and decorative terminals can be appreciated—headlines, titling, book or chapter openings, event materials, invitations, and certificate-style layouts. It can also work for branding in contexts that want a heritage or artisanal tone, especially when paired with a simpler companion for body copy.

The overall tone feels ceremonial and old-world, mixing elegance with a slightly theatrical edge. Its sharp contrasts and curled terminals evoke a traditional scribe or display-calligraphy mood—suited to language that aims to feel authoritative, storied, or dramatic rather than neutral.

The design appears intended to translate broad-pen calligraphy into a crisp, repeatable typeface, balancing legibility with ornamental flair. Its flared serifs, teardrop terminals, and animated capitals suggest an aim toward classic, formal display typography with a historic, hand-rendered impression.

At text sizes the strong modulation and distinctive terminals create a dark, patterned color, with capitals carrying noticeably more personality than the lowercase. Some glyphs show calligraphic idiosyncrasies (curled arms, angled cross-strokes, and spurred joins) that enhance character but also make the texture more expressive and less uniform than a typical book serif.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸