Sans Faceted Komy 4 is a bold, wide, monoline, upright, tall x-height font.
Keywords: headlines, posters, logos, game ui, signage, techno, industrial, futuristic, gaming, mechanical, sci-fi tone, industrial feel, display impact, interface clarity, geometric consistency, angular, chamfered, octagonal, geometric, compact.
A geometric sans built from straight strokes and chamfered corners, with faceted terminals that replace most curves with crisp, planar cuts. The strokes are uniform in weight, producing a sturdy, high-contrast silhouette against the counters, and the forms lean on squared bowls and octagonal outlines. Proportions are broad with a notably tall x-height, giving lowercase letters a large footprint and minimizing the perceived size drop from caps to lowercase. Spacing appears moderately tight and rhythmically consistent, while diagonals (as in V, W, X, Y) are rendered with the same clipped, engineered logic as the verticals and horizontals.
Best suited to short to medium display settings where its faceted geometry can be read as a stylistic asset: headlines, posters, branding marks, and packaging. It also fits interface titles, game UI, and wayfinding or labeling where a rugged, engineered look is desired. At very small sizes, the tight apertures and angular joins may benefit from generous sizing and spacing.
The overall tone feels utilitarian and tech-forward, like lettering intended for devices, equipment labeling, or sci‑fi interfaces. Its hard edges and faceted geometry read as mechanical and assertive, with a distinctly digital, arcade-adjacent flavor rather than a soft or humanist voice.
The design appears intended to translate a faceted, industrial aesthetic into a clean sans framework, emphasizing crisp geometry, uniform stroke logic, and a large x-height for strong on-screen presence. It prioritizes impact and a consistent “machined” personality across caps, lowercase, and figures.
Round characters (such as O/Q/0 and C/G) maintain a polygonal construction, reinforcing the font’s “cut metal” feel. The numerals match the caps in mass and angularity, and the lowercase maintains clear, simplified shapes that prioritize strong silhouettes over calligraphic detail.