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Free for Commercial Use

Sans Superellipse Abmez 5 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Muller' by Fontfabric and 'JAF Bernini Sans' by Just Another Foundry (names referenced only for comparison).

Keywords: ui, product design, editorial, wayfinding, presentations, modern, neutral, clean, functional, friendly, clarity, systematic geometry, readability, modern utility, rounded, geometric, monoline, open counters, high legibility.


Free for commercial use
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A geometric sans with rounded-rectangle (superellipse) construction and smooth, continuous curves. Strokes are largely monoline, with crisp terminals and a steady, even rhythm across uppercase and lowercase. Counters are open and spacious, and the forms favor clear geometry over calligraphic modulation; round letters read as softly squared rather than purely circular. The lowercase shows straightforward, compact shapes with simple joins, while numerals are clean and evenly proportioned for consistent lining text.

Well-suited for user interfaces, product UI copy, and dashboards where steady rhythm and legibility matter. It also fits editorial layouts, reports, and presentations that need a contemporary, neutral voice. The clean numerals and open counters support information-heavy text such as specs, captions, and signage.

The overall tone is modern and matter-of-fact, with a friendly softness coming from the rounded geometry. It feels contemporary and utilitarian rather than expressive, projecting clarity and restraint suitable for everyday interfaces and informational design.

The font appears designed to provide a clear, contemporary sans built on a consistent rounded-geometry system, balancing friendliness with precision. Its primary intention seems to be reliable readability and a cohesive modern texture across headings and continuous text.

The design emphasizes uniformity and clarity: bowls, arcs, and shoulders keep consistent curvature, and the type holds together well in paragraph settings. The rounded-square logic is especially evident in curved glyphs, giving the texture a subtly “tech” and system-oriented character without looking overly mechanical.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
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13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸