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Free for Commercial Use

Sans Other Wimu 5 is a very bold, very wide, very high contrast, upright, normal x-height font visually similar to 'Phalanx' by PSY/OPS and 'Moai Variable' by Unio Creative Solutions (names referenced only for comparison).

Keywords: posters, headlines, album art, gaming, branding, brutalist, industrial, aggressive, mechanical, punk, graphic impact, stencil effect, modular system, texture-building, stencil-like, blocky, squared, modular, notched.


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A heavy, block-constructed sans with squared silhouettes and tightly controlled straight edges. The letterforms are built from chunky rectangular masses interrupted by consistent slits and cut-ins that read like stencil breaks or segmented joints. Counters are minimal and often reduced to narrow vertical or horizontal apertures, producing a dense texture in text. Terminals are blunt and flat, and the design relies on angular geometry with occasional wedged diagonals in forms like Z and N-like constructions; overall spacing feels tight and the word shapes become a continuous band of black punctuated by sharp internal gaps.

Best used for large-scale display: posters, event graphics, album/merch art, game titles, and branding where impact matters more than extended readability. It can work as a short-text accent in interfaces or packaging, but is most effective when given room and size so the segmented cuts remain clear.

The font projects a confrontational, utilitarian tone—more industrial signage than editorial refinement. Its segmented cuts add a tactical, engineered feel, while the extreme density and compressed apertures give it a gritty, underground energy suited to loud, attention-seeking messages.

The design appears intended as a modular, stencil-influenced display sans that prioritizes mass, rhythm, and graphic punch. The repeated slits and notches suggest a deliberate system of breaks to create a distinctive texture and an engineered, industrial identity.

In paragraph samples the internal breaks create a strong repeating rhythm, but the same density can cause counters to close up at smaller sizes, especially in mixed-case settings. Numerals and capitals maintain the same modular logic, reinforcing a cohesive, system-built aesthetic.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸