Print Jiril 8 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Otter' by Hemphill Type, 'Sebino Soft' by Nine Font, 'Camp' by Pelavin Fonts, 'Loose' by Zeptonn, and 'Aristotelica Pro' by Zetafonts (names referenced only for comparison).
Keywords: kids branding, posters, packaging, headlines, stickers, playful, friendly, cheerful, bubbly, kidlike, approachability, whimsy, bold impact, hand-drawn feel, softness, rounded, soft, chunky, cartoonish, bouncy.
A heavily rounded, monoline display face with soft, blobby terminals and an overall inflated silhouette. Strokes are consistently thick and smooth, with gentle curvature and minimal sharp corners; counters are small and irregular, enhancing a hand-drawn feel. Proportions are compact and lively, with a tall lowercase presence, short ascenders, and minimal descender reach, while spacing appears slightly loose to keep dense shapes from clogging. The overall rhythm is uneven in a deliberate way, giving each letter a slightly individual, drawn-by-hand character while maintaining clear, legible forms.
Well suited for children’s products, playful branding, and informal advertising where a friendly, chunky voice is needed. It works particularly well for short headlines, packaging callouts, and bold on-screen titles that benefit from a soft, approachable texture.
The font communicates a warm, upbeat tone with a toy-like, cartoon energy. Its rounded massing and soft edges make it feel approachable and humorous, leaning toward casual, kid-friendly messaging rather than formal or technical contexts.
The design appears intended to mimic a hand-drawn, marker-like print with exaggerated roundness and a cushioned weight, prioritizing friendliness and instant visual impact over typographic restraint. Its consistent thickness and rounded construction aim to create a cohesive, characterful look across alphabets and numerals.
Distinctive, puffy numeral forms and rounded joins keep the texture consistently bold across lines of text. The combination of small counters and heavy strokes suggests it will read best at medium to large sizes, where the soft details and playful irregularities remain clear.