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Free for Commercial Use

Distressed Jemo 11 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Congress Sans' by Club Type, 'Whitney' by Hoefler & Co., 'Avenir Next Paneuropean' by Linotype, 'Morandi' and 'Prelo Condensed' by Monotype, 'Belle Sans' by Park Street Studio, 'Aago' by Positype, 'Ordina' by Schriftlabor, and 'TT Commons™️ Pro' by TypeType (names referenced only for comparison).

Keywords: posters, headlines, album art, packaging, stickers, grunge, handmade, rugged, playful, retro, add texture, evoke print, signal diy, increase impact, create grit, rough-edged, blotchy, chunky, uneven, inked.


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A heavy, chunky display face with irregular, distressed contours and a visibly ink-worn silhouette. Strokes are broad and mostly monoline in feel, but edges wobble and chip, creating a stamped/printed texture with occasional interior nicks. Proportions are compact with sturdy verticals, rounded bowls, and slightly inconsistent character widths that add a handmade rhythm. The lowercase is simple and sturdy, with a single-storey “a” and generally upright construction; counters stay relatively open despite the dense weight.

Well-suited for short, high-impact settings such as posters, headlines, event flyers, album/cover art, and bold packaging or labels where texture is a feature. It can also work for badges, stickers, and merch graphics, especially in single-color applications that benefit from a rugged print look.

The overall tone is gritty and tactile, like lettering pulled from a worn screen print, a rubber stamp, or a rough poster run. It feels energetic and informal, balancing toughness with a friendly, cartoonish bluntness that reads as DIY and a bit rebellious.

Designed to deliver strong display impact while adding immediate character through deliberate wear and imperfect printing artifacts. The goal appears to be a bold, approachable letterform system that feels analog and lived-in rather than clean or corporate.

The distress is consistent across the set, so text holds together as a unified texture rather than random damage. Because the edges are intentionally noisy, the font reads best when given enough size or contrast to let the rough silhouette stay clear.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
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11px
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9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸