Distressed Jemo 11 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Congress Sans' by Club Type, 'Whitney' by Hoefler & Co., 'Avenir Next Paneuropean' by Linotype, 'Morandi' and 'Prelo Condensed' by Monotype, 'Belle Sans' by Park Street Studio, 'Aago' by Positype, 'Ordina' by Schriftlabor, and 'TT Commons™️ Pro' by TypeType (names referenced only for comparison).
Keywords: posters, headlines, album art, packaging, stickers, grunge, handmade, rugged, playful, retro, add texture, evoke print, signal diy, increase impact, create grit, rough-edged, blotchy, chunky, uneven, inked.
A heavy, chunky display face with irregular, distressed contours and a visibly ink-worn silhouette. Strokes are broad and mostly monoline in feel, but edges wobble and chip, creating a stamped/printed texture with occasional interior nicks. Proportions are compact with sturdy verticals, rounded bowls, and slightly inconsistent character widths that add a handmade rhythm. The lowercase is simple and sturdy, with a single-storey “a” and generally upright construction; counters stay relatively open despite the dense weight.
Well-suited for short, high-impact settings such as posters, headlines, event flyers, album/cover art, and bold packaging or labels where texture is a feature. It can also work for badges, stickers, and merch graphics, especially in single-color applications that benefit from a rugged print look.
The overall tone is gritty and tactile, like lettering pulled from a worn screen print, a rubber stamp, or a rough poster run. It feels energetic and informal, balancing toughness with a friendly, cartoonish bluntness that reads as DIY and a bit rebellious.
Designed to deliver strong display impact while adding immediate character through deliberate wear and imperfect printing artifacts. The goal appears to be a bold, approachable letterform system that feels analog and lived-in rather than clean or corporate.
The distress is consistent across the set, so text holds together as a unified texture rather than random damage. Because the edges are intentionally noisy, the font reads best when given enough size or contrast to let the rough silhouette stay clear.