Sans Superellipse Ifki 10 is a very bold, wide, monoline, upright, tall x-height font.
Keywords: headlines, logotypes, posters, sports branding, gaming ui, techy, sporty, industrial, playful, futuristic, impact, modernity, geometric consistency, brand emphasis, ui display, blocky, rounded, square-ish, compact, punchy.
A heavy, block-driven sans built from rounded-rectangle (superellipse) geometry. Curves read as soft corners rather than true circles, producing squared bowls in letters like O, C, and D. Strokes are consistently thick with minimal contrast, and counters are compact—often squared and slightly inset—creating a dense, high-impact texture. Joins tend toward crisp, angular cuts (notably in K, V, W, X, and Y), while terminals are blunt and clean. The overall spacing and proportions favor strong silhouettes and legibility at larger sizes, with a tall lowercase presence relative to capitals.
Best suited to display settings where impact matters: headlines, short marketing copy, branding, and packaging. It also fits tech and gaming contexts—UI titles, splash screens, team marks, and esports-style graphics—where its compact counters and geometric forms read as intentional. For long text, the dense color and tight interiors suggest using generous size and spacing.
The font projects a modern, engineered tone: confident, sturdy, and somewhat game-like. Its rounded-square construction feels contemporary and digital, while the sharp diagonals add energy and aggression. The result is bold and attention-grabbing, with a friendly edge from the softened corners.
The design appears intended to deliver a strong, contemporary sans with a superellipse foundation—combining soft-cornered, squared forms with energetic diagonals for a distinctive, modern voice. It prioritizes bold silhouette recognition and a cohesive geometric system across letters and numerals.
Several glyphs emphasize distinctive, geometric apertures and rectangular counters, giving text a modular, almost stencil-adjacent rhythm without true breaks. Numerals follow the same rounded-square logic, with especially compact interior shapes that reinforce the font’s dense, display-forward color.