Sans Faceted Mivu 2 is a bold, normal width, low contrast, upright, normal x-height font.
Keywords: headlines, posters, logos, game ui, album covers, futuristic, industrial, techno, aggressive, retro arcade, display impact, tech aesthetic, geometric consistency, machined look, title styling, angular, faceted, octagonal, geometric, monolinear.
A geometric, faceted sans built from straight strokes and clipped corners, replacing curves with crisp planar cuts. Letterforms are mostly monolinear with sturdy verticals and diagonals, producing a dense, high-impact silhouette. Counters tend toward polygonal shapes (notably in O/0 and rounded letters), and terminals often end in sharp chamfers that create a consistent “machined” rhythm. Proportions are compact with slightly condensed-feeling capitals, while lowercase forms keep the same angular construction, yielding a unified texture across mixed-case text.
Best suited to display settings where its faceted geometry can read clearly—headlines, posters, brand marks, packaging accents, and entertainment graphics. It can also work for game interfaces or tech-themed titles where an angular, machined texture supports the concept, while longer body copy will generally benefit from larger sizes and generous spacing.
The sharp chamfers and polygonal counters give the font a hard-edged, engineered tone that reads as futuristic and game-adjacent. Its rhythm feels assertive and mechanical, leaning toward techno and sci‑fi atmospheres rather than friendly or traditional editorial voices.
The design appears intended to translate a clean sans structure into a polygonal, cut-metal aesthetic—prioritizing a consistent chamfered construction and strong silhouettes for impactful display typography. It aims to evoke precision and speed through repeated facets and straight-edge geometry across uppercase, lowercase, and numerals.
Distinctive angular construction remains consistent across letters and numerals, with recognizable octagonal bowls in characters like O/0 and faceted diagonals in S, Z, and 2. The overall texture stays even in longer lines, though the many sharp corners and tight interior spaces can make small sizes feel visually busy compared with smoother grotesques.