Sans Superellipse Yere 5 is a very bold, very wide, medium contrast, italic, normal x-height font visually similar to 'Dean Gothic' by Blaze Type, 'Racing Pro One' by Multype Studio, and 'Tipemite' by TypeArt Foundry (names referenced only for comparison).
Keywords: sports branding, esports, posters, headlines, logos, sporty, futuristic, aggressive, playful, techy, impact, motion, branding, performance, modernity, oblique, rounded, square-rounded, blocky, compact counters.
A heavy, oblique sans with wide proportions and a rounded-rectangle (superelliptic) construction throughout. Curves resolve into flattened arcs and squared-off bowls, giving letters like O/C/G a soft-cornered, geometric feel. Strokes are monolinear with clean terminals and a consistent slant, while counters tend to be compact and horizontally biased, reinforcing the dense, punchy texture. The lowercase follows the same engineered geometry, with single-storey a and g forms and a generally low-contrast, sturdy rhythm that stays stable in tight spacing.
Best suited to bold display applications where impact and motion are desired: sports and esports identities, athletic apparel graphics, tech or automotive headlines, poster titling, and short, emphatic packaging or promo copy. It can work for brief subheads or callouts, but the dense counters and strong slant favor larger sizes over long-form reading.
The overall tone is fast, muscular, and contemporary, with a distinctly sporty and tech-forward edge. Its wide stance and forward slant read as energetic and assertive, while the rounded corners keep it friendly rather than harsh, lending a retro-futuristic flavor reminiscent of performance branding and arcade-era display type.
This font appears designed to deliver maximum visual momentum and brand presence through wide, superelliptic forms and a consistent oblique stance. The intention is a cohesive, modern display voice that feels engineered and performance-oriented while remaining approachable through rounded geometry.
The numerals and capitals share the same softened-square skeleton, producing a cohesive, logo-like system. Diagonal joins and angled terminals (notably in letters like A, K, V, W, X, Y) emphasize motion, and the heavier interior shaping on curves gives the face a compact, high-impact silhouette at display sizes.