Sans Superellipse Vanub 5 is a regular weight, very wide, monoline, upright, normal x-height font.
Keywords: ui, signage, branding, headlines, logotypes, futuristic, techy, clean, geometric, sci-fi, modernism, system design, interface tone, sci-fi branding, geometric cohesion, rounded, squared, modular, streamlined, minimal.
A geometric sans with a rounded-rectangle (superellipse) construction and consistently rounded outer corners. Strokes are even and monoline in feel, with open counters and generous horizontal proportions that give letters a stretched, panoramic stance. Many joins and terminals resolve into squared ends or softly radiused corners, producing a modular rhythm; curves tend to be flattened into smooth arcs rather than true circles. The lowercase echoes the same engineered shapes, with single-storey forms and simplified details, while numerals follow the same rounded-rect geometry for strong set consistency.
Well-suited to UI titles, dashboards, and product surfaces where a clean, futuristic voice is desired. It also works for short headlines, tech branding, wayfinding, and logotypes that benefit from wide geometry and rounded-rect forms, especially in larger sizes.
The overall tone is distinctly futuristic and technical, evoking interface typography, digital instrumentation, and sci‑fi branding. Its softened corners keep the voice approachable rather than aggressive, but the wide stance and modular shapes still read as engineered and modern.
The font appears designed to translate a superelliptical, rounded-rectangle motif into a full alphanumeric system, prioritizing uniform stroke logic and a streamlined, contemporary silhouette. Its proportions and simplified construction suggest an intention to feel like a cohesive display/UI face with a distinctly modern, tech-forward identity.
The design relies on horizontal emphasis and broad apertures, which makes it visually stable at display sizes and in short labels. Diagonals and angular letters (such as V, W, X, Y) keep crisp, linear construction, balancing the rounded bowl shapes and reinforcing a controlled, system-like aesthetic.