Sans Other Peni 7 is a bold, very wide, monoline, italic, normal x-height font.
Keywords: headlines, posters, gaming, sports branding, tech branding, futuristic, techno, racing, aggressive, cyberpunk, speed emphasis, sci-fi tone, display impact, branding focus, angular, geometric, squared, streamlined, forward-leaning.
A sharply angular, forward-slanted sans with squared counters and chamfered corners throughout. Strokes stay consistently thick and mechanical, with many terminals cut on diagonals that create a fast, streamlined rhythm. Curves are largely replaced by faceted geometry (notably in O, Q, C, and G), while crossbars and internal horizontals are often extended or notched, giving letters a segmented, engineered feel. Spacing and widths vary by glyph, but the overall silhouette reads broad and low with a pronounced rightward motion in both uppercase and lowercase.
Best suited to short, high-impact settings such as headlines, poster typography, esports or gaming interfaces, vehicle or team branding, and tech-themed packaging or promotional graphics. It performs well when you want a bold, kinetic wordmark or titling style, and is most effective at medium-to-large sizes where the angular cuts and internal notches remain clear.
The face conveys speed and precision, with a distinctly sci-fi and motorsport tone. Its sharp facets and slanted stance feel energetic and assertive, suggesting technology, machines, and high-performance contexts rather than warmth or tradition.
The design appears intended to deliver a fast, futuristic display voice built from hard-edged geometry and consistent stroke weight. By emphasizing beveled corners, squared bowls, and a strong slant, it aims to create a distinctive, performance-oriented aesthetic that stands out in branding and titling.
Distinctive details include the boxy, cut-corner bowls, the diagonal-leg constructions on letters like K and R, and the italicized numerals that echo the same beveled geometry. The digit set is especially graphic, with strong horizontal emphasis in forms like 2, 3, 5, 6, and 9, which can become a visual feature in its own right.