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Free for Commercial Use

Serif Other Toko 3 is a bold, narrow, high contrast, italic, normal x-height font.

Keywords: headlines, posters, book covers, mastheads, packaging, dramatic, vintage, editorial, formal, theatrical, attention, retro appeal, headline impact, editorial voice, flared serifs, compressed, bracketed, wedge terminals, display.


Free for commercial use
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This typeface presents a compressed, right-leaning serif construction with pronounced thick–thin modulation and sharp, wedge-like terminals. Serifs are flared and often bracketed, creating a carved, engraved feel rather than a flat slab. Curves are tightened and counters are relatively compact, while vertical stems dominate, producing a tall, poster-like texture. The lowercase shows a moderate x-height with sturdy, weighty joins and distinctly shaped terminals; numerals follow the same condensed, high-impact rhythm.

Best suited to headlines, titling, and short blocks of copy where its compressed proportions and sharp contrast can be appreciated. It works well for posters, book covers, mastheads, packaging, and branding that wants a classic yet punchy serif voice. For body text, it will be most effective when given generous size and leading to avoid an overly dense texture.

The overall tone is assertive and theatrical, with a vintage, headline-driven presence. Its sharp contrasts and tapered details evoke editorial gravitas and classic display typography associated with posters and old-style advertising. The italic slant adds urgency and motion, making the voice feel emphatic and declarative.

The design intent appears to be a characterful, condensed serif for display typography—combining traditional serif cues with dramatic contrast and an energetic slant to command attention. It prioritizes impact, rhythm, and recognizable letterforms over neutrality, aiming to deliver a strong editorial and promotional presence.

Spacing appears geared toward display settings, with dense internal shapes and a tight, vertical cadence that can read darker in longer lines. Several glyphs feature distinctive wedges and curled terminals that heighten personality and can become a focal detail at larger sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸