Sans Superellipse Udgiy 2 is a bold, narrow, low contrast, italic, normal x-height font visually similar to 'Bebas Neue Pro' by Dharma Type, 'Cream Opera' by Factory738, 'CF Blast Gothic' by Fonts.GR, 'Neusa Neu' by Inhouse Type, 'Aago' by Positype, and 'Merchanto' by Type Juice (names referenced only for comparison).
Keywords: headlines, posters, branding, sportswear, packaging, sporty, dynamic, punchy, retro, confident, impact, speed, space saving, approachability, modern utility, condensed, oblique, rounded, soft corners, compact.
A compact, slanted sans with thick, even strokes and tightly controlled proportions. Letterforms lean forward with a consistent oblique angle, while curves and corners are noticeably softened into rounded, squared-off shapes that keep counters open and sturdy. The overall rhythm is dense and energetic, with wide curves kept on a short leash—bowls, terminals, and joints feel engineered for impact rather than delicacy. Numerals match the same robust, slightly squashed geometry, reading clearly at display sizes.
Best suited to short-to-medium display settings where its dense texture and forward slant can project momentum—headlines, posters, brand marks, and packaging. It can also work for punchy subheads or callouts in editorial and digital layouts when you want emphasis without ornamental styling.
The tone is energetic and assertive, with a streamlined, performance-oriented feel. Its rounded-rectangle construction adds a friendly, approachable edge, while the forward slant keeps the voice active and urgent. The result lands in a sporty, slightly retro space that feels built for headlines and motion.
Likely designed to deliver high-impact, space-efficient typography with a sense of motion. The softened, superelliptical construction suggests an intent to balance toughness with approachability, keeping forms durable and highly legible in bold, condensed applications.
Uppercase forms are especially compact and blocky, while lowercase maintains legibility through simple shapes and generous internal space. The oblique angle is strong enough to signal speed without becoming calligraphic, and the overall texture stays uniform across lines of text.