Sans Contrasted Ofkol 6 is a regular weight, normal width, high contrast, upright, normal x-height font.
Keywords: editorial, book text, magazines, headlines, branding, classic, refined, formal, literary, elegant reading, editorial authority, classic revival, premium tone, bracketed serifs, wedge terminals, vertical stress, crisp, calligraphic.
A high-contrast text face with sharply tapered hairlines and fuller main strokes, showing a clear vertical stress and a crisp, engraved-like finish. The capitals are compact and disciplined, with pointed apexes and clean junctions; curves are smooth and tightly controlled, and terminals often resolve into small wedges. Lowercase forms are traditional and bookish, with a two-storey “a,” a compact “e,” and a restrained “g,” while the numerals mix lining proportions with pronounced contrast and elegant, slightly calligraphic shaping. Overall spacing and rhythm feel steady and print-oriented, with strong black/white interplay and a distinctly formal texture in paragraph settings.
This font fits best in editorial contexts such as magazines, book interiors, and literary or cultural branding where contrast and elegance are desired. It can also serve for headlines and subheads that need a formal, refined voice, especially in print or high-resolution digital layouts.
The tone is polished and authoritative, evoking editorial typography, classic publishing, and institutional communication. Its contrast and sharp finishing give it a refined, slightly dramatic presence without becoming ornamental, lending a sense of seriousness and tradition.
The design appears intended to deliver a classic, print-centric reading texture with modern crispness, balancing strong contrast and sharp terminals with disciplined proportions for a composed, professional page color.
Diagonal strokes (as in V, W, X, and y) show pronounced thinning toward the joins, reinforcing a chiseled, high-contrast look. Round letters like O and Q maintain a stable, symmetrical construction, while the Q’s tail and the figures’ curved strokes add subtle liveliness to otherwise sober forms.