Sans Faceted Itfa 3 is a very light, wide, monoline, upright, normal x-height font.
Keywords: display, branding, logotype, posters, headlines, futuristic, techno, geometric, puzzle-like, sci‑fi, geometric system, sci‑fi styling, technical feel, distinctive display, angular, faceted, octagonal, chiseled, wireframe.
This font is built from straight, monoline strokes with crisp chamfered corners, replacing curves with planar facets. Letterforms lean toward octagonal and diamond-based geometry, producing sharp terminals and consistent corner angles across the set. Counters are often open or simplified, and several glyphs (notably O/0 and related shapes) resolve into rhombus-like outlines, reinforcing a constructed, polygonal rhythm. Spacing and widths vary by glyph, but the overall texture remains airy and precise due to the thin stroke and generous internal space.
Best suited for display applications where its faceted geometry can be appreciated—headlines, posters, album art, event graphics, and identity work. It also works well for sci‑fi or tech-themed UI mockups, titles, and short labels. For long passages, the angular construction and open counters can become visually insistent, so moderate sizes and ample leading are recommended.
The tone reads as futuristic and schematic, like lettering drawn from a technical diagram or a retro arcade interface. Its faceted construction and diamond motifs give it a synthetic, coded feel—more “designed object” than handwriting—while staying clean and legible at display sizes. The overall impression is playful but controlled, with a hint of cryptic, game-like identity.
The design appears intended to translate a polygonal, constructed aesthetic into a readable alphabet, using consistent chamfers and diamond-derived forms as the core system. It prioritizes a distinctive geometric voice over conventional typographic softness, aiming for a crisp, technical presence in attention-grabbing settings.
Diagonal joins and chamfers are used as a unifying motif, creating a consistent visual logic across uppercase, lowercase, and numerals. The lowercase shares the same angular construction as the uppercase rather than adopting more traditional text shapes, so the font feels like a single geometric system. Numerals and punctuation echo the same straight-line geometry, helping mixed alphanumeric strings look cohesive.