Sans Other Hivu 7 is a regular weight, very wide, medium contrast, reverse italic, normal x-height font.
Keywords: headlines, logos, posters, gaming, tech branding, futuristic, tech, angular, dynamic, edgy, sci‑fi styling, motion effect, display impact, geometric construction, monolinear, chiseled, slanted, geometric, sharp corners.
A sharply angular sans with a consistent reverse-leaning slant and wide, sprawling proportions. Strokes are predominantly straight and monolinear, with diagonal cuts creating wedge-like terminals and clipped corners throughout. Counters tend to be rectangular and open, and many joins resolve into crisp, faceted angles rather than curves, giving the alphabet a constructed, almost cut-from-sheet look. Spacing and widths vary noticeably by glyph, producing an irregular, mechanical rhythm in text while maintaining strong overall cohesion through the repeated slanted geometry.
Best suited to display settings such as headlines, posters, title cards, and logotypes where its wide stance and reverse-italic motion can dominate a layout. It also fits gaming and tech-oriented branding, UI/overlay titling, and short punchy callouts that benefit from an angular, engineered voice.
The letterforms project a forward-tilting, sci‑fi energy with a slightly aggressive, speed-oriented attitude. Its sharp cuts and skewed stance read as technical and assertive, evoking interfaces, futurist branding, and action-oriented display typography rather than quiet neutrality.
The design appears intended to reinterpret a geometric sans through a reverse-leaning, faceted construction, prioritizing speed, sharpness, and a futuristic silhouette. Its variable widths and clipped terminals suggest a deliberate move away from text neutrality toward a distinctive, high-impact display presence.
In paragraph samples the strong slant and angular terminals create a distinctive texture that rewards larger sizes, where the faceted details and rectangular counters stay clear. At smaller sizes the busy edges and variable glyph widths can make lines feel more jagged and animated, which can be a feature when a deliberately stylized tone is desired.