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Sans Normal Ankor 2 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Izmir' by Ahmet Altun, 'Flink Neue' by Identity Letters, 'Averta PE' and 'Averta Standard PE' by Intelligent Design, 'Harmonia Sans' and 'Harmonia Sans Paneuropean' by Monotype, and 'TT Norms Pro' by TypeType (names referenced only for comparison).

Keywords: headlines, branding, ui labels, signage, posters, modern, neutral, friendly, confident, clean, clarity, modernization, impact, versatility, geometric, rounded, smooth, open forms, high contrast counters.


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A heavy, geometric sans with smooth, largely circular curves and clean, straight terminals. Letterforms show even stroke weight and generous, open counters, giving the alphabet a clear, airy rhythm despite the strong mass. Proportions lean toward simple construction: round characters like C, O, and G read as near-circular, while verticals and horizontals stay crisp and steady. The lowercase is straightforward and legible, with a single-storey g and a compact, functional f; numerals are sturdy and simplified, matching the overall geometric logic.

This style performs well in short-to-medium text settings where bold clarity is needed, such as headlines, product branding, UI labels, navigation, and signage. Its open counters and simple geometry also suit posters and marketing copy where a clean, contemporary voice is desired.

The tone is contemporary and matter-of-fact, projecting clarity and confidence without feeling harsh. Rounded geometry adds a mild friendliness, making it feel approachable and well-suited to everyday interface and brand communication rather than ornamental display.

The design appears intended to deliver a sturdy, highly legible geometric sans character with a modern, approachable feel. It prioritizes clean construction, consistent rhythm, and clear shapes that hold up in prominent, attention-grabbing applications.

In text, the font maintains strong word-shape integrity and consistent spacing, with punctuation and dots reading clearly at larger sizes. The overall texture is uniform and stable, favoring clean geometry over calligraphic modulation.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸