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Free for Commercial Use

Sans Normal Linin 3 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Bronkoh' by Brink, 'FS Me' and 'FS Me Paneuropean' by Fontsmith, 'Breno Narrow' by Monotype, 'Belle Sans' by Park Street Studio, 'Akwe Pro' by ROHH, and 'Monsal Gothic' by The Northern Block (names referenced only for comparison).

Keywords: headlines, posters, branding, sportswear, packaging, sporty, energetic, assertive, modern, friendly, impact, momentum, modernity, emphasis, slanted, geometric, rounded, compact, high-impact.


Free for commercial use
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This typeface presents as a heavy, forward-slanted sans with smooth, rounded curves and a compact, sturdy build. Strokes remain largely uniform, with broad bowls and softly eased corners that keep the forms approachable despite the strong weight. Counters are relatively tight and apertures lean toward the closed side, producing a dense, punchy texture in lines of text. The italic angle is consistent across uppercase, lowercase, and figures, giving words a continuous rightward motion and a cohesive, streamlined rhythm.

Best suited to display applications where strong presence and motion are desirable—such as headlines, posters, product packaging, and brand marks. It can also work for short callouts, labels, and UI accents where a bold, italic voice helps emphasize actions or key values, though the dense counters suggest avoiding very small sizes for extended reading.

The overall tone is fast and forceful, with a confident, athletic feel. Its slant and dark color create urgency and momentum, while the rounded geometry prevents it from feeling harsh or overly technical. The result reads as contemporary and energetic, suited to messaging that needs to feel bold and active.

The design appears intended to deliver maximum impact with a clean, geometric sans structure, combining a forward-leaning stance with rounded forms for a modern, accessible bold italic. It aims to feel dynamic and contemporary while maintaining clear, consistent silhouettes across letters and numbers.

Uppercase forms are wide and stable, while the lowercase keeps a robust, slightly condensed feel that emphasizes a strong text color. The numerals match the letterforms in weight and slant, supporting consistent emphasis in mixed alphanumeric settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸