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Free for Commercial Use

Sans Superellipse Gebuj 6 is a very bold, narrow, low contrast, italic, tall x-height font visually similar to 'Benton Sans' and 'Benton Sans Std' by Font Bureau, 'ITC Franklin' and 'ITC Franklin Gothic LT' by ITC, 'Latino Gothic' by Latinotype, 'PG Gothique' by Paulo Goode, and 'Franklin Gothic' and 'Nimbus Sans L' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, promotional, sporty, urgent, punchy, modern, energetic, impact, speed, space saving, branding, display, condensed, slanted, heavy, rounded, compact.


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A compact, forward-slanted sans with heavy, uniform strokes and rounded, superellipse-like curves. Counters are tight and apertures are relatively closed, creating dense dark shapes with a strong typographic “block” rhythm. Terminals are clean and unadorned, and the forms favor squared-off geometry softened by rounding, especially in bowls and curved joins. Numerals match the same bold, condensed, slanted construction, maintaining consistent color and width across mixed text.

Best suited to short, bold statements such as headlines, posters, promotional graphics, and sports or fitness branding where speed and impact are desired. It can work for logos, labels, and packaging that need a dense, modern wordmark, but will be more effective at larger sizes than in extended small text.

The overall tone is assertive and fast, with a muscular, high-impact presence that feels geared toward motion and emphasis. Its rounded geometry keeps the voice contemporary rather than aggressive, while the strong slant adds a sense of speed and drive.

Likely designed to deliver maximum impact in limited horizontal space, combining condensed proportions with a consistent slant to suggest motion. The rounded-rectangle construction points to a contemporary, geometric approach aimed at strong branding and display typography.

In longer lines the texture is very dark and compact, with interior spaces that can fill in visually at smaller sizes. The italic angle is steady and the glyphs keep a disciplined, uniform build that reads as intentional and display-oriented.

120px
108px
96px
84px
72px
64px
56px
48px
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8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸