Sans Superellipse Bagus 2 is a light, normal width, monoline, italic, normal x-height font.
Keywords: ui text, app design, branding, headlines, packaging, modern, friendly, clean, airy, techy, modernize, soften tone, improve clarity, add motion, rounded, geometric, soft corners, open counters, high legibility.
A lightly slanted sans with monoline strokes and a geometric construction built from rounded-rectangle curves. Rounds are squarish rather than perfectly circular, with soft corners and smooth, even joins that keep the rhythm calm and consistent. Terminals tend to be gently rounded, counters are open, and bowls (such as in B, D, O, p) feel compact and controlled. The uppercase is narrow and tidy, while the lowercase maintains a straightforward, readable structure with simple, single-storey forms and unobtrusive punctuation-like details (e.g., clean dots and minimal hooks). Numerals follow the same rounded geometry, giving the set a cohesive, UI-friendly texture.
This font suits interface typography, dashboards, and product UI where clarity and a compact, clean rhythm are important. Its rounded geometry also works well for contemporary branding, short headlines, and packaging that aims for a modern, friendly voice. In longer passages it maintains a smooth texture, particularly at medium sizes where the open counters and simple forms stay clear.
The overall tone is contemporary and approachable, balancing a technical, engineered feel with soft rounding that removes harshness. The italic angle adds motion and a mild sense of speed without becoming expressive or calligraphic. It reads as neat and efficient, with a gentle friendliness suited to modern digital environments.
The design appears intended to deliver a modern italic sans optimized for clean, digital-forward communication. Its superelliptical construction and rounded terminals suggest an aim to feel both engineered and approachable, offering a distinctive geometric signature without sacrificing readability.
The superelliptical curves are especially evident in the C/G/S family and in the rounded shoulders of n/m/h, producing a distinctive “squared-off roundness.” Crossbars and diagonals stay restrained, helping the font keep a uniform color in text while still feeling slightly dynamic due to the slant.