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Free for Commercial Use

Sans Normal Ohkul 14 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Chamelton' by Alex Khoroshok, 'Hanley Pro' by District 62 Studio, and 'Sign Department JNL' by Jeff Levine (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, playful, friendly, punchy, modern, quirky, impact, approachability, memorability, display clarity, rounded, geometric, chunky, soft, high contrast forms.


Free for commercial use
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This typeface is a heavy, rounded sans with smooth, geometric construction and generous internal counters. Curves tend toward circular bowls and softly blended joins, while straight strokes are kept clean and uniform, giving the set a sturdy, poster-ready presence. Terminals are mostly blunt and squared-off rather than tapered, and several letters show subtle, intentional quirks—such as a single-storey “a,” a curved descender on “y,” and a compact, looped form for “g”—that add personality without breaking consistency. Numerals are equally bold and simplified, with wide, open shapes and strong silhouettes optimized for quick recognition.

It performs best in headlines, posters, signage, and brand marks where a bold, friendly impression is desired. The sturdy forms and open counters also make it suitable for short UI labels, packaging callouts, and social graphics where clarity and personality need to coexist.

The overall tone feels upbeat and approachable, with a confident, attention-grabbing weight that reads as contemporary and friendly rather than formal. Its rounded geometry and slightly idiosyncratic details give it a lively, characterful voice suited to expressive branding and energetic headlines.

The design appears intended to deliver a modern, approachable display voice built from clean geometric forms, balancing high impact with warmth. Its small stylistic quirks suggest a goal of memorability and brand character while retaining straightforward readability.

In text settings the spacing and rhythm remain compact and even, creating a dense, impactful texture. The design favors clear, simple shapes and large counters, helping maintain legibility at display sizes while keeping a distinctive, graphic feel.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸