Print Ogbab 1 is a bold, normal width, low contrast, italic, normal x-height font.
Keywords: headlines, posters, social graphics, packaging, menus, friendly, playful, casual, upbeat, handmade, informality, approachability, energy, personality, warmth, rounded terminals, bouncy rhythm, marker-like, soft edges, organic curves.
The letterforms are strongly slanted with thick, rounded strokes and minimal contrast, suggesting a brush- or marker-like tool. Terminals are soft and slightly irregular, with a hand-drawn smoothness rather than crisp geometry. Proportions vary from glyph to glyph, creating an intentionally lively texture, and the rounded counters plus compact joins help maintain readability at display sizes despite the expressive shapes.
This font works well for display contexts where a casual, handwritten voice is desirable—such as posters, social graphics, packaging callouts, menus, café or craft branding, and event collateral. It is also suitable for quotes, headlines, and short bursts of copy where its energetic slant and thick strokes can carry tone. For longer text, it will be most effective with generous spacing and moderate sizes to keep the lively forms comfortable to read.
This typeface feels energetic and personable, with the ease of quick marker lettering. Its forward slant and bouncy rhythm create an upbeat, informal tone that reads as friendly rather than formal. The overall impression is casual and approachable, suited to messaging that wants warmth and momentum.
The design appears intended to mimic confident, fast handwritten lettering while staying legible in short phrases. Its slant, heavy stroke weight, and slightly uneven widths prioritize personality and motion over strict regularity. The goal seems to be an expressive, human feel that still holds together as a cohesive set across letters and numerals.
Capitals and lowercase share a consistent forward slant and rounded, brushy construction, while numerals match the same lively, hand-rendered character. The overall texture is intentionally imperfect, producing a natural handwritten cadence rather than mechanical repetition.