Outline Lyke 3 is a bold, normal width, monoline, upright, normal x-height font.
Keywords: posters, headlines, logos, gaming, sci-fi ui, techno, retro, arcade, geometric, futuristic, display impact, tech aesthetic, retro computing, geometric system, modular construction, angular, squared, linear, stencil-like, boxy.
This typeface is constructed from squared, geometric outlines with a consistent stroke thickness and open counters throughout. Corners are predominantly sharp, with occasional 45° cuts that soften joins and add a machined, modular feel. Proportions lean tall and compact with a rigid, grid-like rhythm; many curves are interpreted as rectangular forms (notably in O, C, and numerals), reinforcing a pixel-adjacent, engineered texture. The lowercase mirrors the uppercase structure closely, maintaining the same boxy architecture and outline-only rendering.
Best suited to short display settings where its outlined structure can stay crisp: posters, titles, packaging callouts, and brand marks with a tech or retro theme. It also fits gaming and sci‑fi interface graphics, motion titles, and event identities where a geometric, arcade-like voice is desirable. At smaller sizes or dense paragraphs, the open-outline construction can reduce clarity compared to solid styles, so generous sizing and spacing are recommended.
The overall tone is distinctly techno-retro, evoking arcade graphics, sci‑fi interfaces, and 1980s/1990s computer aesthetics. Its outlined construction and squared geometry read as synthetic and mechanical rather than humanist, giving it a crisp, digital energy. The feel is playful but controlled—more UI and circuitry than calligraphy.
The design appears intended to deliver a distinctive outline display look built from a simple geometric system—square curves, consistent inset spacing, and angular joins. It prioritizes a strong, programmable silhouette that feels compatible with digital and industrial themes, offering visual impact through structure rather than stroke contrast or ornament.
Letterforms emphasize strong exterior silhouettes, with interior voids that remain clean and evenly inset, creating a double-line effect at text sizes. The squareness of round characters and the occasional stepped terminals contribute to a display-oriented personality and a consistent modular system.