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Free for Commercial Use

Sans Superellipse Higoz 1 is a very bold, narrow, monoline, upright, tall x-height font visually similar to 'Kanal' by Identikal Collection, 'Kanal' by T-26, and 'Aeroscope' by Umka Type (names referenced only for comparison).

Keywords: headlines, posters, logos, packaging, app titles, industrial, techno, sporty, commanding, retro, impact, compactness, modernity, utility, branding, squared, rounded corners, condensed, compact, blocky.


Free for commercial use
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This typeface is built from compact, squared forms with generously rounded corners, giving many letters a rounded-rectangle silhouette. Strokes are consistently heavy and even, with minimal contrast, and counters tend to be small and tightly enclosed. Curves are simplified into broad arcs and chamfer-like joins, producing a sturdy, engineered rhythm. The condensed proportions and tall lowercase structure keep lines dense, while a few letters introduce angular notches and cut-ins that add a mechanical edge.

Best suited to headlines, posters, and attention-grabbing titling where its dense, blocky shapes can carry visual weight. It can work well for logos, packaging callouts, and product or app title treatments that benefit from an engineered, modern feel. Use with comfortable tracking and adequate size when clarity is critical, as the compact counters can close up in small settings.

The overall tone is forceful and utilitarian, with a distinctly industrial and techno flavor. It feels assertive and high-impact, suggesting machinery, equipment labeling, and bold modern display graphics. The rounded corners soften the aggression slightly, keeping the voice friendly enough for contemporary branding while still reading as tough and performance-oriented.

The design appears intended to deliver maximum impact in a compact width, combining rounded-rectangle geometry with a uniform, heavy stroke to create a robust display voice. Its simplified curves and squared terminals aim for a cohesive, modular look that stays consistent across letters and numbers.

At smaller sizes the tight apertures and small internal spaces can darken quickly, so it reads best when given room or used at display sizes. The numerals and uppercase forms maintain a consistent, modular construction, supporting a strong, uniform texture across headlines and short bursts of text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸