Sans Superellipse Efrar 6 is a light, normal width, low contrast, italic, normal x-height font.
Keywords: interface, headlines, branding, tech signage, posters, futuristic, technical, sleek, modern, sporty, tech aesthetic, speed emphasis, modular geometry, display clarity, rounded corners, oblique, monoline, extended, geometric.
A streamlined oblique sans built from squared-off, superellipse-like curves and softly rounded corners. Strokes are monoline and clean, with a pronounced rightward slant and slightly extended proportions that keep counters open. Bowls and terminals tend toward rounded-rectangle geometry rather than true circles, giving characters like C, O, D, and G a squarish, engineered feel. Numerals and lowercase share the same tight, modular construction, with consistent corner radii and minimal modulation for a crisp, uniform texture in text.
Works best for UI headings, product branding, and display typography where a fast, contemporary voice is desired. It can also serve for short technical labels and signage, especially in contexts that benefit from a sleek, engineered look. For long-form reading, it’s likely most comfortable in brief blocks or callouts rather than dense paragraphs.
The overall tone is futuristic and technical, evoking digital interfaces, motorsport graphics, and contemporary industrial design. Its oblique stance adds speed and forward motion, while the rounded-rectangular forms keep the personality friendly enough to feel approachable rather than severe.
Likely designed to deliver a modern, speed-oriented sans with a consistent superellipse geometry and a strong oblique rhythm. The intention appears to balance a techno, modular construction with rounded corners that smooth the texture and keep forms legible and cohesive in display settings.
The design leans on straight segments joined by softened corners, producing a rhythmic, slightly condensed-in-the-curves / extended-in-the-sides feel across lines of text. Distinctive, squared counters help maintain clarity at display sizes, and the italic angle is strong enough to read as intentionally dynamic rather than merely slanted roman.