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Free for Commercial Use

Inline Mira 3 is a regular weight, normal width, high contrast, upright, normal x-height font.

Keywords: headlines, posters, logos, packaging, branding, art deco, glamorous, theatrical, vintage, fashion-forward, decoration, luxury, period evocation, headline impact, signage feel, display, decorative, striped, monoline inset, geometric.


Free for commercial use
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A decorative display face with high-contrast, sharply tapered strokes and a consistent inline incision running through the heavier parts of each letter. The inline creates a striped, hollowed effect that reads like a carved highlight, giving counters and bowls a sculpted, dimensional feel. Proportions are generally tall with crisp terminals, alternating between geometric construction (O, C, D) and elegant, slightly calligraphic curves (S, a, g). Numerals and capitals show strong vertical emphasis, while diagonals (V, W, X, Y) keep a clean, angular rhythm; overall spacing is open enough for headlines but the inner striping adds visual density.

Best suited for headlines, posters, and title treatments where the inline detailing can be appreciated. It’s also well-matched to logo marks, boutique branding, packaging, invitations, and editorial cover lines that want a vintage-luxe or Art Deco signal. In longer text, the high-contrast strokes and internal striping are likely to feel busy, so it works best in short, prominent bursts.

The overall tone is distinctly Art Deco and stage-marquee: polished, dramatic, and a bit luxurious. The inline detailing suggests chrome, engraving, or inlaid signage, giving the font a confident, showy presence suited to attention-grabbing typography rather than quiet reading.

The design appears intended to evoke engraved or inlaid letterforms with a refined Art Deco sensibility. By combining high-contrast shapes with a consistent inset line, it aims to deliver a premium, theatrical display voice that stands out in large-format typography.

The inline treatment is most prominent on vertical stems and rounded bowls, where it reads as multiple parallel channels; this produces a lively shimmer at larger sizes. Because the carved lines are fine relative to the main strokes, the design benefits from generous sizing and thoughtful color/contrast to keep the inset detail legible.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸