Font Hero

Free for Commercial Use

Wacky Boro 2 is a regular weight, wide, high contrast, upright, normal x-height font.

Keywords: headlines, posters, logos, packaging, event flyers, playful, quirky, retro, loud, cartoonish, attention, novelty, signage, brand voice, graphic pattern, slab serif, inline rule, ball terminals, triangular serifs, stencil-like.


Free for commercial use
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A bold, display-oriented serif with heavy verticals, sharply tapered triangular serifs, and frequent ball-like terminals. Many glyphs include a distinctive horizontal inline rule that reads like an embedded underline, creating a segmented, stencil-like rhythm through counters and joins. Proportions are generous and open, with wide capitals and rounded bowls; curves are smooth and geometric, while straight strokes stay crisp and abrupt at terminals. Overall spacing feels sturdy and poster-friendly, with a consistent, graphic motif that prioritizes shape and pattern over conventional text color.

Best suited to short, high-impact settings such as headlines, posters, logos, and playful packaging where the inline rule can be appreciated as a deliberate graphic element. It’s especially effective when used large, with ample spacing and minimal competing decoration, so the stripe motif remains legible and intentional.

The built-in rule and chunky slabby structure give the face a mischievous, attention-grabbing personality—part circus poster, part comic sign. It feels intentionally odd and performative, turning ordinary words into a patterned graphic texture.

The design appears aimed at creating an instantly recognizable display voice by fusing a sturdy serif skeleton with a repeating inline rule that turns letterforms into patterned signage. It prioritizes novelty and memorability, encouraging use as a visual motif as much as a text face.

The horizontal rule motif repeats across uppercase, lowercase, and numerals, becoming the dominant visual signature; it can read as an underline, an inline stripe, or a cut through the letterform depending on the glyph. Rounded forms (like O, Q, 8, 9) emphasize the contrast between smooth bowls and the abrupt, flat rule, producing a strong, decorative rhythm at headline sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸