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Free for Commercial Use

Sans Superellipse Ondaw 5 is a regular weight, normal width, monoline, upright, tall x-height, monospaced font visually similar to 'Monoplan' by Plantype and 'TT Norms Pro' by TypeType (names referenced only for comparison).

Keywords: code, terminal, ui, tables, technical docs, utilitarian, technical, modern, neutral, workmanlike, clarity, consistency, systematize, legibility, precision, boxy-round, clean, compact, consistent, even color','gridlike.


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This is a geometric sans with rounded-rectangle construction throughout: curves read as squarish rounds, and straight strokes end cleanly with minimal modulation. Letterforms are compact and sturdy, with generous counters and a consistent, even color across lines of text. The lowercase is built for clarity with a prominent x-height, while capitals are broad and simple, maintaining a uniform, grid-like cadence. Numerals follow the same squared-round logic, with the zero featuring a diagonal slash for differentiation.

It suits coding environments, terminals, UI labels, tables, and any layout that benefits from strict alignment and consistent character widths. The robust shapes and open counters make it a good candidate for small-to-medium text in technical documentation, dashboards, forms, and system-style branding. It can also work in minimalist posters or packaging where a disciplined, contemporary voice is desired.

The font conveys a practical, utilitarian tone with a quiet techy confidence. Its steady rhythm and uniform spacing feel methodical and no-nonsense, suggesting reliability and straightforward communication. The softened geometry keeps it from feeling harsh, adding a mildly friendly, contemporary vibe.

The design appears intended for clear, unambiguous reading in structured settings where alignment and predictability matter. Its rounded-rect geometry and uniform rhythm suggest a goal of marrying mechanical precision with a slightly softened, approachable texture. Distinguishing details like a slashed zero point to use cases where character differentiation is important.

The overall silhouette leans toward squared curves rather than circular ones, giving rounds a superelliptical feel. Punctuation and spacing in the sample text reinforce a measured, typewriter-adjacent cadence without ornamental features, keeping attention on content and structure.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸