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Free for Commercial Use

Stencil Esny 5 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'ATF Poster Gothic' by ATF Collection, 'Cybersport' by Anton Kokoshka, and 'Giant' by Hoefler & Co. (names referenced only for comparison).

Keywords: posters, headlines, signage, packaging, branding, industrial, tactical, mechanical, assertive, utilitarian, stencil marking, industrial voice, labeling, display impact, systematic geometry, angular, blocky, octagonal, condensed caps, high contrast joins.


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A sharply angular stencil display with heavy, uniform strokes and clipped corners that create an octagonal, machined feel. Counters and apertures are broken by consistent stencil bridges, producing segmented interior spaces in letters like O, C, E, and S. Proportions are compact and upright with squared terminals, tight inner curves, and a strong vertical rhythm; diagonals (A, V, W, X, Y) are broad and faceted rather than smooth. The lowercase follows the same modular construction, reading like a compact companion to the caps rather than a more calligraphic text style.

Best suited to display contexts where a tough, technical voice is desired—posters, headlines, product marks, packaging panels, signage, and on-screen UI elements for games or industrial themes. It also works well for numbering systems, labels, and short strings where the stencil breaks add character without harming recognition.

The overall tone is rugged and functional, evoking labeling, equipment markings, and engineered surfaces. Its crisp cuts and repeated bridging feel disciplined and no-nonsense, with a subtly retro-military and industrial character.

The design appears intended to deliver a bold, engineered stencil look that reads like cut metal or painted template lettering. Its consistent bridges and faceted geometry prioritize a strong graphic silhouette and a distinctive, industrial texture in setting.

In longer lines the repeating breaks create a distinctive texture, so spacing and size matter: at smaller sizes the bridges can visually fill in, while at larger sizes the segmented counters become a defining graphic feature. Numerals match the same faceted, stenciled construction and hold their shape well for codes and identifiers.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸