Sans Superellipse Bodah 5 is a very light, wide, low contrast, upright, normal x-height font.
Keywords: branding, ui, headlines, posters, signage, airy, futuristic, clean, minimal, gentle, modernization, geometric clarity, softened tech, minimalism, systematic tone, monoline, geometric, rounded corners, open counters, extended proportions.
A monoline sans with extended proportions and a rounded-rectangle (superellipse) construction that shows up clearly in bowls and numerals. Strokes are consistently thin and even, with soft corners and squared-off curves that keep round letters from becoming fully circular. Terminals are clean and largely unmodulated, producing an uncluttered rhythm; apertures stay fairly open in forms like C, S, and e. The lowercase keeps a straightforward, modern skeleton, while the caps lean more geometric with simple diagonals and restrained crossbars.
This style suits modern branding systems, interface titles, and clean headline work where a delicate, architectural voice is desired. It can also work well for signage and editorial display settings when given enough size and whitespace to preserve its fine stroke weight.
The overall tone is quiet and precise, with a light, airy presence that feels contemporary and slightly tech-leaning. Its rounded-rect geometry adds a friendly softness to an otherwise systematic, engineered look.
The design appears intended to translate a superelliptical, rounded-rectangle motif into a restrained, modern sans that feels both technical and approachable. The emphasis is on uniform stroke economy, open shapes, and a crisp, spacious silhouette that stays orderly in text and striking in display.
Spacing in the samples reads generous and calm, helping the thin strokes remain legible at larger sizes. The numerals echo the same rounded-rect logic, with smooth, continuous outlines that feel consistent across the set.