Sans Superellipse Osduh 3 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Morgan Poster' by Feliciano, 'Kanal' by Identikal Collection, 'First Prize' by Letterhead Studio-VG, 'Gilkons' by Letterhend, 'Exabyte' by Pepper Type, and 'Kanal' by T-26 (names referenced only for comparison).
Keywords: posters, headlines, logotypes, signage, packaging, industrial, retro, technical, sturdy, playful, impact, space-saving, tech vibe, graphic branding, sign-making, geometric, rounded, squared, condensed, blocky.
This typeface is built from compact, geometric structures with rounded-rectangle (superellipse-like) curves and flat terminals. Strokes are consistently heavy and even, producing a dense, poster-ready color. Counters tend to be squarish and tightly contained, and many forms favor straight sides with softened corners over circular bowls. The overall rhythm is compact and vertical, with short joins and minimal modulation, giving the set a uniform, engineered feel across letters and numerals.
It works best for short, high-impact settings such as posters, headlines, branding wordmarks, product packaging, and wayfinding where a compact, bold presence is needed. The geometric, rounded-square forms also suit tech-themed graphics, game/UI titles, and retro-futurist layouts where letterforms are part of the visual identity.
The font projects a tough, utilitarian tone with a distinctly retro-technological flavor. Its rounded-square geometry feels both machine-made and approachable, balancing a sturdy industrial presence with a slightly playful, sci‑fi sign-making character.
The design appears intended to deliver maximum impact in a condensed footprint while maintaining a cohesive geometric voice. By relying on rounded-rectangle construction and uniform stroke weight, it aims for a strong, reproducible display style that reads as modern-industrial with a retro edge.
Distinctive details include rounded interior corners and notch-like joins that emphasize the constructed, modular look. The numerals share the same rounded-rectilinear logic, helping mixed alphanumeric settings feel cohesive. At smaller sizes, the tight counters and dense weight can make text feel compact and emphatic rather than airy.