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Free for Commercial Use

Sans Superellipse Osdut 10 is a very bold, narrow, monoline, upright, normal x-height font visually similar to 'Hilumion Sans' by Brainwaves Studio, 'Cord Nuvo' by Designova, 'Miguel De Northern' by Graphicxell, and 'Conthey' and 'Conthey Inline' by ROHH (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, condensed, industrial, retro, assertive, utilitarian, space saving, high impact, display clarity, geometric consistency, rounded corners, rectangular, stencil-like, vertical stress, high contrast presence.


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A condensed, heavy sans with a rounded-rectangle construction and mostly uniform stroke weight. Curves are squared off into soft corners, producing superellipse-like bowls and counters with a distinctly vertical, compact rhythm. Apertures are generally tight, and many forms rely on straight stems paired with rounded terminals; several lowercase letters show simplified, blocky joins and a slightly notched or inset feel in their curves. Numerals follow the same condensed, punchy silhouette, designed to hold dark color cleanly at display sizes.

Best suited for headlines, short blocks of copy, and typographic lockups where compact width and strong impact are desirable. It can work well for packaging, labels, signage, and branding systems that want a condensed, engineered look with rounded corners.

The overall tone is bold and no-nonsense, combining a retro, poster-like compactness with an industrial clarity. Its rounded-rectilinear geometry feels engineered rather than calligraphic, giving text a confident, utilitarian voice suited to attention-grabbing messaging.

The design appears intended to deliver maximum presence in limited horizontal space while maintaining a friendly, softened edge through rounded corners. Its simplified, constructed letterforms prioritize uniformity and bold texture for display-driven communication.

In continuous text the narrow set and dense black shapes create strong texture and emphasis, while the closed counters and tight apertures suggest it will be most comfortable with generous tracking or larger sizes. The design language stays highly consistent across caps, lowercase, and figures, reinforcing a cohesive, constructed look.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸