Sans Other Pote 1 is a very bold, narrow, low contrast, italic, normal x-height font visually similar to 'Brocks' by Par Défaut (names referenced only for comparison).
Keywords: headlines, logos, posters, sports, gaming, sporty, aggressive, futuristic, industrial, action, impact, speed, compactness, tech feel, branding, angular, slanted, condensed, square, blocky.
A tightly set, slanted sans with heavy, block-like strokes and sharply chamfered corners throughout. The letterforms are compact and forward-leaning, with squared bowls and straight-sided curves that read as engineered rather than calligraphic. Counters are small and often rectangular, apertures are narrow, and terminals tend to cut off at crisp angles, creating a strong, mechanical rhythm. Overall spacing appears compact, with a consistent, monoline construction and a distinctly angular silhouette in both uppercase and lowercase.
Best suited to display roles where the condensed, slanted shapes can amplify urgency—headlines, titles, posters, and punchy branding. It can work well for sports identity, esports/gaming graphics, motorsport or tech-themed promotions, and packaging or labels that need a strong, compact wordmark.
The design projects speed and impact, with a confident, high-energy tone that feels at home in competitive or action-oriented contexts. Its sharp geometry and hard edges give it a tech-industrial attitude, suggesting motion, toughness, and precision rather than softness or neutrality.
The font appears designed to deliver maximum visual impact in limited horizontal space, using angular construction and a built-in forward slant to communicate speed and strength. Its squared counters and cut terminals prioritize a bold, emblematic look that holds up in large sizes and high-contrast applications.
Uppercase forms lean toward squared, modular construction (notably in rounded letters like O/Q and the numerals), while diagonals and angled terminals add a continuous sense of forward motion across words. The italic slant is integral to the structure rather than a simple oblique, and the dense counters and bold color favor short bursts of text over extended reading.