Sans Superellipse Ikber 2 is a very bold, normal width, medium contrast, upright, tall x-height font.
Keywords: headlines, posters, logos, packaging, signage, bold, friendly, retro, playful, punchy, impact, approachability, retro flavor, brand presence, graphic clarity, rounded, blocky, compact, soft corners, high impact.
A heavy, rounded sans with a superellipse construction: squared-off bowls and counters are softened by large corner radii, creating a cushiony, blocklike silhouette. Strokes are consistently thick with subtly modulated joins, and terminals are generally flat but rounded at the edges, giving letters a sturdy, engineered feel rather than a geometric purity. Proportions favor a tall lowercase with compact apertures; many counters read as rounded rectangles, and the punctuation-like dots (e.g., on i/j) are circular and substantial. Numerals follow the same chunky, rounded-rect logic, with tight interior spaces and a strong, poster-oriented presence.
Best suited to attention-grabbing display roles such as headlines, posters, event graphics, and signage. The rounded, blocky forms also work well for logos and packaging where a friendly but forceful voice is desired, and for short bursts of text like calls-to-action or labels.
The overall tone is energetic and approachable, mixing industrial heft with soft, toy-like rounding. It suggests mid-century display sensibilities—confident, upbeat, and slightly quirky—while remaining clean enough to feel contemporary in branding contexts.
The letterforms appear designed to deliver maximum visual weight with softened geometry, balancing assertiveness with approachability. The consistent superellipse motifs and sturdy counters point to a deliberate focus on bold branding and high-impact display setting rather than extended reading.
The design keeps rhythm through uniform stroke thickness and consistent corner rounding, producing an even color in text despite the very heavy weight. The tight counters and small openings increase graphic impact, but they also make the face feel best when given room—larger sizes, shorter lines, and generous tracking when needed.