Print Fyto 3 is a very bold, normal width, low contrast, italic, tall x-height font visually similar to 'Berthold Standard' by Berthold, 'Helen Bg' by HS Fonts, 'H Central' by MacCampus, 'Lyu Lin' by Stefan Stoychev, 'NeoGram' by The Northern Block, and 'Ggx88' by Typodermic (names referenced only for comparison).
Keywords: posters, headlines, packaging, stickers, kids media, playful, handmade, chunky, casual, friendly, handmade warmth, playful impact, casual emphasis, friendly branding, display texture, rounded, brushy, textured, bouncy, soft.
A heavy, hand-drawn italic with thick, rounded strokes and softly irregular contours that mimic a loaded brush or marker. Forms are compact yet energetic, with a slight bounce in baseline and spacing and subtle, organic swelling along curves and joins. Counters are generally open and simplified, terminals are blunt and cushioned, and the overall texture shows intentional wobble and uneven edges for a natural, printed-by-hand feel.
Best suited to short to medium-length display settings where its chunky, handmade texture can be appreciated—posters, playful headlines, packaging, labels, social graphics, and craft-oriented branding. It can work for brief captions or pull quotes, but dense paragraphs may feel heavy due to the strong stroke weight and textured edges.
The font reads as upbeat and approachable, with a lively slant and chunky shapes that feel informal and human. Its roughened edges and bouncy rhythm suggest spontaneity and craft, giving text a fun, friendly voice rather than a polished corporate tone.
Likely designed to deliver an informal, hand-printed look with bold impact and an energetic forward lean, prioritizing personality and warmth over precision. The consistent thickness and rounded terminals aim for high visual presence while keeping the tone friendly and approachable.
Uppercase and lowercase share a consistent, bold presence, and the numerals match the same soft, hand-rendered weight and texture. The italic angle is expressed more as a forward-leaning gesture than sharp calligraphic contrast, keeping the color dense and even in paragraphs. At smaller sizes the heavy texture can merge, while larger sizes emphasize the playful irregularities.